For the cover of Time magazine’s issue about the 2020 death of George Floyd, Titus Kaphar painted a pained Black mother hugging an infant to her chest. Where the child should have been, there was a white space. The artist titled a similar painting —
lodibet ‘Elevation’ Review: A High Place
2024-11-08If certain movies are to be trustedlodibet, the apocalypse will occur when monsters swarm the Earth and hunt to kill people who are powerless to survive — unless they abide by one high-concept rule. Such is the story in “A Quiet Place,” a boffo hit
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Wang Bing calls his new films about Chinese garment workers the “Youth” trilogy for good reason: Most of the people shown clocking marathon hours at sewing machines are barely in their 20s. Maybe that’s why the concrete buildings where they both wor
winzir ‘Blitz’ Review: Love in the Ruins
2024-11-05World War II is almost certainly the big screen’s most immortalized conflict, and for good reason. It broke just as cinema was beginning to mature as a form of entertainment, and footage from the front narrated by peppy tales of victory was part of
Clint Eastwood has been such a familiar force in American cinema for so long that it’s easy to think you’ve got him figured out. Yet here he is again, at 94, with a low-key, genuine shocker, “Juror #2,” the 42nd movie that he’s directed and a lean-t
At its bestbilyonaryo online casino, topical satire, which is what the “Forbidden Broadway” franchise has been slinging for 42 years, is both timely and well targeted. The timeliness means that audience members know the material being ribbed; the ta
Two sounds greet you at the start of “The Hills of California,” Jez Butterworth’s relentlessly entertaining new play: the crashing of waves on the beaches of Blackpool and the tinkling of a tinny piano being tuned. Both are plot points: The story co